Themes in Yeats’ Poetry

Themes in Yeats’ poetry You can acquisition abounding capacity in Yeats’ poetry. Pick what apparel your own abstraction from the themes, comments and quotes listed below. There are 86 quotes acclimated to allegorize capacity on this folio (although some of them are from balladry alfresco the accepted OCR alternative for AS Level). You will charge abandoned a abbreviate alternative of these. 1. The affair of afterlife or old age and what it leaves behind. Afterlife of Patriotism, abrogation arrogance as the norm: ‘Romantic Ireland’s asleep and gone, It’s with O’Leary in the grave’ [September 1913] Afterlife as abortive sacrifice, Home Rule ability be granted: ‘Was it causeless afterlife afterwards all? For England may accumulate acceptance For all that is done and said’ [Easter 1916] A man in old age alienated active youthfulness: ‘The adolescent in one another’s arms, birds in the copse – Those dying ancestors – at their song’  [Sailing to Byzantium] Afterlife of innocence: ‘The commemoration of chastity is drowned’ [Second Coming] The cocky in old age, forsaken by beauty: ‘when I alive some day to acquisition they accept aureate away’ [Wild Swans] Afterlife called out of a faculty of despair: ‘A decay of animation the years behind, in antithesis with this life, this death’ [Airman] Afterlife and abolition during civilian war: ‘A man is killed, or a abode austere … the abandoned house…’ [Stare’s Nest] Annihilation of the Elite and anguish at the vanity of beastly grandeur: ‘We the abundant gazebo built’ [Memory] Old age and the debris of a bedfast life: ‘Picture and book remain’ [Acre] In old age, antipathy for the present, aggressive account for ancestry: ‘Cast your apperception on alternative canicule That we in advancing canicule may be Still the dogged Irishry’  [Under Ben Bulben] Facing afterlife with antipathy for abstract ceremony: ‘No marble, no accepted phrase’ [Under Ben Bulben] Afterlife provides a altar from battle and hatred: ‘Savage animus there Cannot claw his breast’ [Swift’s Epitaph] 2. The affair of disintegration, chaos, abrupt change: They accept gone about the apple like wind’  [September 1913] ‘scatter wheeling in abundant burst rings Aloft their boisterous wings’ [Wild Swans] ‘I accept looked aloft those ablaze creatures, And now my affection is sore. All’s changed’ [Wild Swans] ‘this tumult in the clouds’ [Airman] ‘All changed, afflicted utterly: A abhorrent adorableness is born’  [Easter 1916] ‘Enchanted to a bean To agitation the active stream’ [Easter 1916] ‘Things abatement apart; the centre cannot hold; Mere chaos is loosed aloft the world’ [Second Coming] ‘Consume my affection away; ailing with admiration And attached to a dying beastly It knows not what it is’  [Sailing to Byzantium] ‘A man is killed, or a abode burned, Yet no bright actuality to be discerned’ [Stare’s Nest] 3. Yeats balladry explored attributes beneath four headings: Transience in nature’s beauty: ‘A adumbration of billow on the beck Changes minute by minute’ [Easter 1916] ‘By what lake’s bend or basin Contentment men’s eyes back I alive some day To acquisition they accept aureate away? ’ [Wild Swans] ‘The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, acclaim all summer continued Whatever is begotten, born, and dies’ [Sailing to Byzantium] ‘But a agitated autumn shears Blossom from the summer’s wreath’  [Memories] Paradoxically, Yeats saw attributes as abiding in allegory to humans: ‘Their hearts accept not developed old; Passion or conquest, aberrate area they will, Attend aloft them still. [Wild Swans] The brilliance of nature’s beauty: ‘I apprehend basin baptize lapping with low sounds by the shore;’ [Inisfree] ‘The copse are in their autumn beauty, The backcountry paths are dry, Beneath the October afterglow the baptize Mirrors a still sky’  [Wild Swans] ‘The gangling moor-hens dive, And hens to moor-cocks call’ [Easter] ‘An acre of blooming grass For air and exercise’ [Acre] The airedale ancillary of nature: ‘The bees body in the crevices Of alleviation masonry, and there The mother birds accompany grubs and flies’  [Stare] ‘while all about it Reel caliginosity of the acrimonious arid birds’ [Second Coming] 4. Yeats explored the affair of aeon in assorted spheres. You can adverse the afterward quotes and issues with the abounding quotes and references to bloodshed accent in the quotes for capacity one, two and three above. Politics—in a abstruse way the Rising has afflicted backroom and this force for change has become an abiding and abiding borough symbol: ‘Now and in time to be, Wherever blooming is worn, Are changed, afflicted utterly: A abhorrent adorableness is born’ [Easter 1916] Accustomed beauty—the swans as a breed are abiding in allegory to Yeats: ‘Their hearts accept not developed old; Passion or conquest, aberrate area they will, Attend aloft them still. ’ [Wild Swans] The cycles of history [perpetually repeating millennial patterns]: ‘And what asperous beast, its hour appear annular at last, Slouches appear Bethlehem to be born? [Second Coming] The body and art transcend time: ‘Once out of attributes I shall never booty My actual anatomy from any accustomed thing, But such a anatomy as Grecian goldsmiths accomplish to sing… Of what is past, or passing, or to come’ [Sailing to Byzantium] 5. The adventure for accuracy is fundamental, whether accomplished through the affecting self, reason, acuteness or at the amount of sanity. Intuitive truth: ‘I apprehend it in the abysmal heart’s core’ [Inisfree] The following of borough ethics at the amount of accessible ridicule: ‘“Some woman’s chicken beard Has affronted every mother’s son”: They advised so agilely what they gave’ [September 1913] Following of adorableness and accuracy by a analytic spirit: ‘Among what rushes will they build, By what lake’s bend or basin Contentment men’s eyes back I alive some day To acquisition they accept aureate away? [Wild Swans] Accuracy believed in by political fanatics: ‘Hearts with one purpose abandoned Through summer and winter assume Enchanted to a stone’ [Easter 1916] Accuracy that is biased and yet unemotional: ‘Too continued a cede Can accomplish a bean of the heart’ [Easter 1916] Accuracy that is emotional, artistic and philosophical: ‘A abandoned actuation of contentment Drove to this tumult in the clouds; I counterbalanced all, brought all to mind’ [Irish Airman] Accuracy that is prophetic and yet based on actual cycles: ‘Surely some adumbration is at hand; Surely the Second Advancing is at hand’ [Second Coming] Cold, rational assay of canard arch to the truth: ‘We had fed the affection on fantasies, The heart’s developed barbarous from the fare; More Actuality in our enmities Than in our love’ [Stare] Accuracy accomplished through educating the acuteness with art: ‘Nor is there singing academy but belief Monuments of its own magnificence’ [Sailing to Byzantium] Accuracy that is philosophical, the acumen of old age: ‘Dear shadows, now you apperceive it all, All the absurdity of a action With a accepted amiss or right. The innocent and the beautiful. Accept no adversary but time’ [Memories] Accuracy that eludes acumen and imagination: ‘Neither apart imagination, Nor the comminute of the apperception Consuming its rag and bone, Can accomplish the accuracy known’ [Acre] Adverse amid a amorous acknowledgment and political truths: ‘And maybe what they say is accurate Of war and war’s alarms, But O that I were adolescent afresh And captivated her in my arms’ [Politics] Accuracy that is sentimental, defiant, emotional: ‘Cast your apperception on alternative canicule That we in advancing canicule may be Still the dogged Irishry’ [Ben Bulben] 6. Yeats had assorted visions of the archetypal Irish society. Primitive, Celtic, barbarian and rural: ‘I will appear and go now, and go to Innisfree, And a baby berth body there, of adobe and wattles made’ [Inisfree] Romantic, affectionate and heroic: ‘Yet they were of a altered kind, The names that stilled your baby play, They accept gone about the apple like wind’ [September 1913] Pastoral and aesthetic: ‘But now they alluvion on the still water, Mysterious, beautiful’ [Wild Swans] Comely and simple: ‘My canton is Kiltartan Cross, My countrymen Kiltartan’s poor’ [Irish Airman] Aristocratic, classical and youthful: ‘and allege of that old Georgian mansion, … anamnesis That table and the allocution of youth, Two girls in cottony kimonos, both Beautiful, one a gazelle’ [Memories] Heroic, feudal and ancestral: ‘Sing the peasantry, and again Hard-riding country gentlemen, The asceticism of monks, and afterwards Porter-drinkers’ randy laughter; Sing the lords and ladies gay That were baffled into the adobe Through seven ballsy centuries; Cast your apperception on alternative canicule That we in advancing canicule may be Still the dogged Irishry’  [Under Ben Bulben’s Head] 7. Yeats explored adverse dualities, generally counterbalancing the ideal and the real: The adorableness of attributes adjoin the atramentous boredom of burghal existence: ‘I apprehend basin baptize lapping with low sounds by the shore; While I angle on the roadway, or on the pavements grey’ [Inisfree] The abasement of borough action adjoin the generosity of patriots: ‘For men were built-in to adjure and save: Romantic Ireland’s asleep and gone’  [September 1913] Bloodshed of the cocky adjoin aeon of the swan species: ‘And now my affection is sore… Their hearts accept not developed old’  [Wild Swans] Major Robert Gregory’s cryptic access to angry for his country; this involves antagonism of emotion: ‘Those that I action I do not hate, Those that I bouncer I do not love’ [Irish Airman] The aeon of political heroes adjoin the fickleness of politics: ‘Yet they were of a altered kind, The names that stilled your baby play’ [September 1913] ‘Yet I cardinal him in the song; He, too, has accommodated his allotment In the accidental comedy’  [Easter 1916] The antagonism of the accord amid charge and morality: ‘The best abridgement all conviction, while the affliction Are abounding of amorous intensity’  [Second Coming] Body adjoin Body and Attributes adjoin Art: ‘O sages …be the singing-masters of my soul. Consume my affection away… Once out of attributes I shall never booty My actual anatomy from any accustomed thing’  [Sailing to Byzantium] Love adjoin hatred, moral inversion: ‘More actuality in our enmities Than in our love’  [Stare] Time adjoin beauty: ‘But a agitated autumn shears Blossom from the summer’s wreath… The innocent and the admirable Accept no adversary but time’  [Memories] Love adjoin backroom as a shaper of beastly destiny: ‘How can I, that babe continuing there, My absorption fix On Roman or on Russian Or on Spanish politics’ [Politics] The abreast adjoin the historical, the commonalty adjoin the aristocracy, the masses adjoin ancestors: ‘Base-born articles of abject beds … Still the dogged Irishry’  [Under Ben Bulben] Two adverse positions on the duality of activity and death, one neutral, the alternative favouring afterlife as a ambush from the stresses of life: ‘Cast a algid eye On life, on death’ [Under Ben Bulben] ‘SWIFT has sailed into his rest; Savage animus there Cannot claw his breast’  [Swift’s Epitaph] 8. Yeats fabricated assorted protests adjoin absoluteness during his life: Alienation from burghal activity in London: ‘While I angle on the roadway, or on the pavements grey’ [Inishfree] Despondency at abbreviate sighted and egoistic borough attitudes apropos the 1913 lockout and hypocritical religious devotion: ‘ You accept broiled the bottom from the bone? For men were built-in to adjure and save: Romantic Ireland’s asleep and gone, It’s with O’Leary in the grave’ [September 1913] Hurt at boldness for the anamnesis of political martyrs: ‘You’d cry, “Some woman’s chicken beard Has affronted every mother’s son”: They advised so agilely what they gave’ [September 1913] Disillusionment at war: ‘Those that I action I do not hate, Those that I bouncer I do not love;’ [Airman] Disgust at insincere nationalism, affectionate bluster: ‘Being assertive that they and I But lived area assorted is worn… The accidental comedy…’  [Easter 1916] Criticism of political fanaticism: ‘Too continued a cede Can accomplish a bean of the heart. ’ [Easter 1916] Disillusion at war, abridgement of borough albatross and an apocalyptic spiral: ‘Mere chaos is loosed aloft the world, The lood-dimmed course is loosed, and everywhere The commemoration of chastity is drowned; The best abridgement all conviction, while the affliction Are abounding of amorous intensity’ [Second Coming] Disenchantment at materialism, amusement and carelessness of art: ‘Caught in that animal music all carelessness Monuments of unageing intellect’ [Sailing to Byzantium] Anger at the abomination of political ideologies: ‘We had fed the affection on fantasies, The heart’s developed barbarous from the fare: More actuality in our enmities Than in our love’ [Stare] Rage at the pettiness of borough politics: ‘for men were built-in to adjure and save’ [September 1913] ‘Conspiring amid the ignorant’ [Memories] Fierce attrition in old age to the annihilation of the mind: ‘Grant me an old man’s frenzy, Myself charge I remake’ [Acre] Mockery of apple affairs: ‘How can I, that babe continuing there, My absorption fix On Roman or on Russian Or on Spanish politics? ’ [Politics] Yeats Fascistic or chic abhorrence adjoin the Irish alive class: ‘Scorn the array now growing up All out of appearance from toe to top, Their unremembering hearts and active Base-born articles of abject beds’ [Ben Bulben] Dislike of affected burials: ‘No marble, no accepted phrase’ [Ben Bulben] Antipathy for acquisitive and blundering people: ‘Imitate him if you dare, World-besotted traveller’ [Swift]

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