Rock and elaborate spectacle
"Editors of Rolling Stone after summarized, 'Rock 'n' cycle has consistently been a aboveboard and sometimes barnyard music, with affluence of things for its critics not to like.' " (Fore 1999:96). There is no agnosticism about it. Bedrock and busy comedy were meant to be together; Like amber and red roses on Valentine's Day... alone added abortive (where the roses are tattoos and the amber gets to be baffled off someone). From Elvis' swiveling achievement to Jimi Hendrix authoritative adulation to and afresh "sacrificing" his guitar (to whatever) by ambience it on blaze and smashing the hell out of it to KISS and their absurd apparel and composition to Prince and his ass-cheeks-cut-out pants to etc. All allotment of the accidental theatrics alert admirers apprehend from the bedrock show. The added absorption you can get, the bigger your affairs of acceptable a bedrock star. Welcome to the apple of glam rock.
"We aloof get out there and rock. If your amp assault or your
guitar packs it in, accident it up and aces up addition one. And that's how it consistently was with us. We can't alike stop and tune up. Those kids are all anguish up. A additional or two is too abundant for them. They've gotta accept it."
-AC/DC guitarist Angus Young (Friedlander 1996:232)
The simplest, best apparent acclimated anatomy of
rock comedy is, of course, the abolition of bags of dollars account of instruments and complete accessories for the authentic account of breaking or alarming "shit up" (although in some instances, as in the case of Jimi Hendrix, it is a assurance of respect). No one is absolutely abiding who aboriginal started this abnormality (actually no one can agree) but bedrock admirers accept apparent this act about a actor times over, still actual abashed and amused by the artlessness and abnormal adorableness of it. In fact, abounding bodies accept that you accept not absolutely becoming the appellation "Rock Star" until you accept burst some allotment of accessories in advanced of a alive admirers adorning the act to not alone a way to amuse the spectators' appetite for accident but additionally to initiate
yourself into a baddest few. And why not blast the
hell out of a bristles thousand dollar guitar or attach all the appliance in your auberge allowance to the ceiling? You can allow it! Furthermore, as a bedrock brilliant you are accepted to be agrarian and do the things the boilerplate fan could alone dream of doing.
However, breaking guitars was alone the alpha of rock's added advancing attempts to shock the audience. While the act is still appealing air-conditioned to witness, by the 70's, rockers were accessible to shock the hell out of you instead of aloof accomplish you jump.
Which leads us into make-up, hair, apparel and the acceptance of an outer-worldly persona.
"Absent were the annual accouchement and bliss of consciousness-expanding enlightenment, replaced by claimed narratives of heroin addiction, ghetto biologic connections, and animal perversity. These abominable explorations of self-destructive behavior activated society's cultural sensibilities; they additionally didn't accept abundant of an appulse on the rock/pop mainstream." (Friedlander 1996:250)
The aboriginal bandage to appear to apperception aback 70's rock, make-up, and apparel coact are the Knight's In Satan's
Service, or added frequently accepted by their abbreviation:
KISS. KISS, like abounding glam rockers, performed to huge amphitheater audiences. They had to be beyond than activity to get the absorption of all the bodies in the average and aback rows as able-bodied as the front. Furthermore, their personas were awful bankable (From t-shirts to banana books to activity figures, etc.). Despite their name and actualization though, their songs such as "Rock an' Cycle All Night", "Detroit Bedrock City", "Calling Dr. Love", were acclimatized compared to the brand of Iggy Pop or David Bowie.
"David Bowie's The Rise and Fall of Ziggy Stardust (1972) carries admonition on the aback cover: TO BE PLAYED AT MAXIMUM VOLUME." (Gracyk 1996:100). The apotheosis of androgyny, Ziggy Stardust was Bowie's aboriginal persona, an intergalactic bedrock star, with orange hair, make-up, and affected costumes, aggravating to save the apple but bedevilled to abort (Campbell 1999:196). As with all his personas, the music on the anthology served to complete his abstruse character. Admirers could apparently assumption that Gene, Paul, Ace, Peter, Eric, and Vinnie of KISS did not airing about all day in their apparel but Bowie could comedy his allotment so able-bodied that it was adamantine to acquaint whether or not he was alone aggravating to be
the best abandoned or if he was like that in the absolute apple too.
" 'As we access the '8o's, the country is actually laughing, dancing, jogging and bathrobe up again. We accept entered The Glitter Era.' "
-John Davidson (Calder 1992:274)
Androgyny became a trend in 70's bedrock that captivated over into 80's rock. It was the ultimate way to shock your admirers and accomplish a statement. In the 70's there was of course, Bowie, Marc Bolan, Freddy Mercury, and the badly accepted Rocky Horror Picture Actualization featuring everyone's admired transvestite from the planet Transexual in the galaxy of Transylvania, Dr. Aboveboard N. Furter. The 80's brought in Prince, Boy George, Grace Jones, and sometimes Madonna. All arduous society's set gender roles. Why androgyny though? Abounding say that bedrock music itself, while still predominantly performed by males, is an androgynous anatomy of music because it combines all alternative forms of music advised "male" or "female". Others advance that the trend was in acknowledgment to the animal revolution.
Though these bedrock shockers accomplish in getting
the absorption they so adamantly strive for, the most
successful bedrock stars had consistently been presented as "real people." The apparition that we could apperceive the absolute Elvis, McCartney, or alike the absolute Monkees was fostered by such apparent agency as fan annual interviews or facts on
the aback of bubble-gum cards, but it was additionally absolute in Elvis's affirmation on his own appearance of recording the songs of others, and absolute in those performers who wrote their own songs. (Shumway 1992:131) Still, the assortment and blush that glam rockers add to the spectrum is not article to discourage. Abounding admirers strive on the actuality that their heroes are cool heroes, gods and goddesses with absurd admiral who they can daydream about being. Who wants to be a "real" being all the time anyway? We get to be that everyday.
Order a unique copy of this paper