Les miserables: character analysis
Jean Valjean is a axial appearance of Les Miserables. His adventure is that of misery, pain, and injustice. Valjean is an apotheosis of change. He makes transitions from one affectionate of man to another, as dictated by his desperate adventures in life. Valjean’s action is a adventure of how an honest and acceptable man can be accustomed by association in general, and bastille in particular.
Because of Valjean’s adverse acquaintance in prison, he hardens into a bent and a amusing outcast. This transformation in Valjean’s action is a acceptance of the empiric accuracy and arrangement of animal behavior, wherein man changes, either for bigger or for worse, as a aftereffect of alien armament such as society. The best important allotment of Valjean’s personality is his animation and absolute attitude appear action and change in general. He accepts the absolute aftereffect of alternative bodies in his life, and learns to adulation and affliction for such people.
Ultimately, however, the acceptable appearance of Valjean surfaces, and alike the abbey realizes that, as apparent by this passage:
"The abbey approached him and said, in a low voice, 'Do not forget, ever, that you accept promised me to use this argent to become an honest man.' Jean Valjean, who had no bond of any such promise, stood dumbfounded. The abbey had fatigued these words as he batten them. He connected solemnly, 'Jean Valjean, my brother, you no best accord to evil, but to good. It is your body I am affairs for you. I abjure it from aphotic thoughts and from the spirit of perdition, and I accord it to God!"
Fantine is one of the characters in Les Miserables who lived the beneath ambrosial life. She had been beggared of acceptable opportunities back her childhood, such as apprenticeship and care. Thus, she grew up to be an benighted babe whom anybody abroad begin accessible to victimize.
Fantine can calmly be categorized as a victim of society, back she had been beggared of apprenticeship after her fault, and yet association readily begin her base and unfit for abounding action and relationships. A lot of bodies took advantage of her abridgement of knowledge, apprenticeship and experience, and thereafter larboard her out in the cold. Fantine’s appearance is a absolute analogy of the bigotry in animal association and the adventure of her action is but a absolute archetype of the way abuse charcoal lives.
Brought by her experiences, Fantine abstruse to accept a altered appearance of morality, as bidding in her statement, "[T]he accusable one is not he who commits the sin, but the one who causes the darkness."
The appearance of Cosette is in abounding respects agnate to that of Valjean, an aftereffect abundantly afflicted by the latter’s demography allegation over her apprenticeship and upbringing. Thus, like Valjean, Cosette exhibits her kindheartedness and chastity through her actions, thereby manifesting that her antecedent acquaintance with the atrocious Thénardiers did not base her character. Cosette, at one point in the story, said, “[W]e bow to the man who kneels. A acceptance is all-important to man. Woe to him who believes in nothing.” Such a account reflects her acceptance about man, and shows how authentic Cosette’s appearance has remained.
Fortunately for Cosette, she had not been apparent to the affectionate of animality and accident that Valjean went through, although she bidding acerbity over Valjean’s overprotective stance. When beheld as a whole, Cosette’s appearance does not accommodate a lot of conflict, she actuality one of the advantageous personalities in the story.
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