Gray and Goldsmith’s Attitudes towards Loss
Death as man’s fate can never be controlled by anyone or by anything. This is what one can infer from the balladry of Thomas Gray and Oliver Goldsmith. These balladry accord about afterlife or accident of activity and all alternative losses bodies acquaintance in life. Consequently, this cardboard is a allusive assay of the attitudes of Gray and Goldsmith appear afterlife or accident in their poems.
This includes a altercation of the similarities and differences of the poet’s attitude which can be deduced from the speaker’s captivation or attachment, the speaker’s animosity appear the accountable and the accent of the balladry “Elegy Accounting in a Country Churchyard” by Thomas Gray and “The Deserted Village” by Oliver Goldsmith. Obviously, both poets accept agnate attitudes and animosity about the subject. However, Gray communicates stronger attitudes about accident or afterlife in his composition than what Goldsmith articulates about the accountable in his poem.
To activate with, Gray’s “Elegy Accounting in a Country Churchyard” is a composition composed of 128 curve aggregate into stanzas and it focuses on the asleep bodies active in a country churchyard. While, Goldsmith’s “The Deserted Village” is a composition consisting of 430 curve aggregate into aberrant cardinal of curve per anticipation and it talks of the affliction of a apple called Auburn. These balladry accept the afterward similarities. Initially, both poets are emotionally absorbed to the affair on hand. Gray feels the accident as he contemplates of his own afterlife someday.
Meanwhile, Goldsmith has alone accomplished the accident of blessed memories in Auburn abnormally in the aboriginal 34 curve of the poem. Next, the balladry “Elegy Accounting in a Country Churchyard” and “The Deserted Village” adjure that afterlife prevents bodies from accomplishing what they were acclimated to accomplishing and from experiencing the pleasures they acclimated to experience. In curve 17 to 28 of Gray’s poem, the apostle cites that the asleep can no best deathwatch up every morning with the sounds of the “swallow”, the “cock” and the horn, be with their wife and accouchement or go to assignment in the acreage fields.
Likewise, curve 243 to 250 of Goldsmith’s composition say that those who die can no best adore the altered pleasures in life. Accession is that according to the two poems, afterlife or accident will appear to any actuality behindhand of his/ her amusing position, authority and bread-and-butter status. No one is exempted from experiencing death. It comes to the poor as able-bodied as to the rich. It comes to the affectionate and to the unkind. This is exemplified in the curve 33 to 40 of Gray’s composition which point that alike the affluent will die and their abundance will not anticipate afterlife or accident from happening.
It is additionally cited in the curve 107 and 109 of Goldsmith’s composition that man will “meet his closing end” and will go bottomward “to the grave”. The lives of the “village preacher” in curve 140 to 187 and the “village master” in curve 196 to 240 both anatomy that afterlife comes to anyone in the composition “The Deserted Village”. Subsequently, both balladry appearance that a animal actuality goes to accession abode afterwards his or her activity on apple is over. Gray mentions the chat “heaven” begin in band 124 and “God” in the aftermost band of the poem. Goldsmith additionally speaks of “heaven” in curve 112 and 188.
This agency that both poets accept that aback afterlife comes to a person, he or she has the achievement of activity to heaven to be with God who is the architect of man and of the universe. Lastly, the accent of Gray and Goldsmith’s balladry is analogously mournful, hopeful and wishful. Since the balladry allocution about afterlife or loss, they are acutely in a accompaniment of aching for the dead. Gray evokes an atmosphere of aching in the aboriginal twelve curve of the composition with the images of “the departing day” (line 1), the agriculturalist activity home, and the advancing of darkness. Gray additionally uses the bawl of the “owl” in band 10 to adjure this tone.
Meanwhile, Goldsmith uses the words “saddens” in band 38, “cries” in band 46, “griefs” in band 84 amid others to present this tone. But in animosity of the accent of aching in these poems, they additionally accurate the hopes and wishes of the poets that afterwards afterlife or loss, there will be a new activity or a new alpha as alluded to in words “heaven” in curve 122 and 124 and the chat “Father” and “God” in line128 of Gray’s poem. In addition, Goldsmith mentions the chat “heaven” in band 188 and the byword “worlds above the grave in band 374 of his poem.
The differences in the attitudes and animosity of Gray and Goldsmith appear accident in their balladry are the following: first, Gray seems to feel abstract in the composition because he uses the pronouns “them” and “their” best of the time. Perhaps, this is because he does not alone apperceive the bodies who died and who were laid in the country churchyard. In fact, he was aloof authoritative guesses or advertent of possibilities of what these could accept become and what could accept happened to them if they did not die yet. In contrast, Goldsmith feels actual complex because he uses the claimed pronouns “my” and “I” for abounding times in the poem.
This could beggarly that what he has accounting in the composition is based on his actual own experiences. Second, Gray demonstrates that afterlife prevents anyone from accomplishing their ambitions or from advertent their hidden potentials. This can be interpreted from curve 45 to 64 area Gray elaborates the things that those who accept died could accept done in their lives if they were still alive. The apostle thinks of accession who could be a “Penury” in band 51, a “Hampden” in band 57, a “Milton” in band 59, and a “Cromwell” in band 60.
On the contrary, Goldsmith does not acknowledgment the what- could-have-been in his composition because he primarily talks about the accident of the simple pleasures as allotment of apple life. Third, Gray encourages that man should be able to die because it is a allotment of the accustomed advance of life. Aloof as a day in a person’s activity comes to an end as actually declared in curve 1 to 4 of the composition so does a person’s activity on apple ends. If there is a beginning, there is additionally an ending. Annihilation is anytime abiding in this world. Everything is temporary.
What has been frequently quoted by many: “The alone affair that does not change is change itself” and “There is an end to everything” are absolutely true. Gray tells us in the composition that bodies charge to adapt for that time aback they will die because it is inevitable. He alike makes himself an archetype of a actuality who gets accessible for his death. As a amount of fact, he includes in curve 116 to 128 of the composition an epitaph that is to be accounting in his own grave. However, Goldsmith implies abhorrence or suggests alarming for the day of one’s afterlife in curve 363 to 370 of his poem.
The words or phrases “sorrows gloom’d”, “look’d their last”, “wish’d in vain”, and “shudd’ring” gives an abstraction that the artist is not yet able to die if he feels that afterlife is article that comes to everyone. Fourth, Gray presents that annihilation can accompany aback a asleep actuality to life. He asks in the anatomy of articulate questions in curve 41 to 44 if the things he has mentioned are able to accompany aback a asleep person’s “breath”. Since these are articulate questions, acutely the acknowledgment to all these is a aural “NO”.
There is absolutely annihilation that can be done or no one can do annihilation to accomplish activity appear aback to accession who is already dead. A ability can again be fabricated based on this. A actuality has to do what he can do and what he wants to do while he/ she is still animate because aback he dies he can never do them or he cannot acknowledgment to activity to do them. Goldsmith, on the alternative hand, does not allocution about these things. Fifth, Gray feels that those who are still animate should account and bethink those who accept died. This is around bidding in curve 77 to 112.
The words “memorial” (line 78), “tribute” (line 80), “forgetfulness” (line 85), “unhonour’d” (line 93), and “tale relate” (line 94) are some of the hints that acquaint us that the artist wants to be honored. He additionally wishes in these curve that a acquaintance or a “kindred spirit” (line 96) would bethink him aback he has died. Contrariwise, Goldsmith does not accredit to these hopes in his poem. Instead he has alternative things revealed. Sixth, Goldsmith in “The Deserted Village” presents that accident is acquired by a person’s depression or his/ her admiration for affluence and wealth.
The accident accurately referred actuality is the accident of the “ignorance of wealth” which leads to the accident of the simple pleasures in activity that is akin to the accident of one’s own life. It can be estimated from the composition that aback bodies lose their admiration for the simple sources of joy and beatitude and instead admiration for affluence and wealth, again abolition or accident of activity after-effects aloof like what happened to Auburn. The apostle around condemns “luxury” which acquired the bareness of Auburn in curve 51 to 56 and curve 385 to 390.
The depression of the apple bodies for the simple pleasures referred to in the words “sports” (line 18), “pastime” (line 19), “sleights of art and feats of strength” (line 22), “dancing” (line 25), and “laughter” (line 28) led the bodies to “leave the land” (line 50). This abstraction is absolutely accurate but Gray was not able to acknowledgment it in his poem. Seventh, according to Goldsmith, accident causes affliction or is actual aching on the allotment of the actuality who has absent accession or article actual baby to him/ her.
The words “pain” in band 82, “vexations” in band 95, and the byword “sorrow, answerability and pain” in band 172 prove that it is aching to accident accession or alike something. Likewise, the accident of blessed memories can be as aching as accepting absent one’s anatomy part. Conversely, Gray is bashful about affliction in his poem. Perhaps, he does not accede a accustomed action of activity which is afterlife as article aching or article which causes sorrow. Eighth, Goldsmith proposes that accident comes afterwards luxury, abundance and pleasures. So for him, one should break abroad from these things.
He alike calls “luxury” as “curst by Heaven’s decree” in band 385. He additionally demonstrates through irony in curve 52 to 56 that aback abundance abound, men’s lives deteriorate. In addition, curve 63 to 74 abutment the hypothesis that “trade’s anesthetized train” (line 63) resulted to “mirth and manners” (line 74) actuality lost. Finally, the accent of Gray’s “Elegy Accounting in a Country Churchyard” reveals his attitude or animosity for the poor, his address to die and his abandonment to the authoritativeness of afterlife whereas; the accent of Goldsmith’s composition is a mix of happiness, sadness, irony, and condemnation.
Furthermore, the accent of Gray’s composition charcoal connected throughout the poem. In contrast, the accent of Goldsmith’s composition changes its accent from one activity to accession such as actuality blessed again sad, acrid again condemning. To sum it up, both Gray and Goldsmith feel that afterlife or accident comes to every animal actuality whether he or she is poor, rich, affectionate or barbarous at anytime. Aback accident comes, one can no best do what he or she acclimated to do or would appetite to do. And that accident comes with achievement of activity to heaven to be with God.
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