Compare and Contrast the Baroque Music and Jazz

Compare and Contrast the Bizarre Music and Jazz BY outwitted The Bizarre aeon pned from 1600 to 1750. The bizarre aeon can be disconnected into three parts: aboriginal (1600-1640), average and backward (1680-1750). Although today best bodies admit the latest allotment as the bizarre music, the ancient allotment was one of the best advocate phases in music history. The aboriginal bizarre composers alone the accord arrangement of the backward Renaissance music and advantaged homophobic texture. They additionally focused on accord rather than the complication of adapted lines. The advance of ample bass and counterpoint represents the development of harmony. However, by the backward bizarre period, polyphonic arrangement alternate to favor. Acclaimed Bizarre composers: - Johann Sebastian Bach Popular work: Air on a G Cord - George Frederic Handel Popular work: The Messiah - Antonio Vivaldi Popular work: The Four Seasons It is difficult to ascertain Jazz music, as there are abounding adapted styles and movements. A abrupt analogue of Jazz would be: American music that originated in New Orleans about 1900 and characterized by active syncopated rhythms, polyphonic ensemble playing, improvisatory, able solos, adapted freedom, and a harmonic argot alignment from simple diatonic through chromatics to atonality. 1 But this does not acquaint aggregate about Jazz. Jazz developed from Ragtime about 1900 and about 20 adapted styles were built-in aback then. 2 Examples are swing, bebop, bang-up nova, chargeless Jazz and body Jazz. Famous Jazz musicians: - Luis Armstrong - Chuck Imagine - Charles Minus - Jon Chlorate - Mary Lou Williams - Miles Davis - Nat King Cole The capital appropriate of this allotment is accord of melody. This allotment begins with Joyful elodea, which contains arpeggio and accomplished appearance melody. [epic] Its affection of Joyfulness charcoal throughout the piece. Abject chords are mostly based on chords l, IV and V. At bar 9, a melody changes a little but the affection doesn't change. The adroit patterns of the alpha of this allotment are afresh throughout. There are accepted uses of apery in the melody. For example, from bar 9 afterwards the absolute cadence, apery begins as bottomward 4th. [epic] Adapted arrangement additionally generally occurs in the piece. Bar 6 is one of archetype of sequences contained. Adapted phrases are afresh one accent college pitches. Another capital appropriate of this allotment is polyphonic texture, as added than 3 absolute adapted curve are articulate calm consistently. From bar 14, there is apery again. The accord is based on a amphitheater of fifths. Anniversary motive amount is busy with triplet. In the melody line, the aboriginal amount starts with F, the abutting one starts with B and the abutting one starts with E and so on. Similarly, the chords of bass band go through aeon of fifth. Therefore, both melody band (flute and violin) and abject band (cambial) are in amphitheater of fifth. This makes the adapted like complete binding and natural. This movement is in Acknowledgment form: one abbreviate area befitting returning, generally creating "tutu-solo-tutu-solo" pattern. This movement opens with the reiteration, which consists of 1/16th notes. After the reiteration, there is abbreviate abandoned section, area the canal and violin imitate anniversary other. This allotment is performed in 12-bar anatomy in 4/4 time. This allotment begins with piano abandoned in E major. [epic] In the alpha of this piece, we can see the chords progression: I - I - I I - V - V - l. This chords progression is afresh throughout this allotment with a connected Hitachi pulse. Alarm and acknowledgment is frequently acclimated in this piece. We can see the archetype of alarm and acknowledgment amid articulation and alternative instruments at 0:46. There is additionally alarm and acknowledgment amid capital articulate and changeable choir in 2:29. Swing accent is additionally arresting in this piece. Afterwards 12 confined of abbreviate piano solo, boom joins and plays beat rhythm. There are additionally accepted uses of syncopation in the rhythm. For example, in the aboriginal allotment area the articulate Joins, afterwards he sings one byword "Hey, ma-ma don't amusement me wrong", there is "space" in melody amid the aboriginal byword and the additional byword humiliation. The alpha of this allotment is mainly homophobic in arrangement as there is consistently one absolute melody. Back articulate sings the capital melody, alternative instruments such as boom and piano comedy the bass lines. However, as the song gets abutting to the end, its arrangement becomes added like polyphonic. Imitation, Alarm and acknowledgment and counterpoint abound. Afterwards repeating the capital melody six times, there is alarm and acknowledgment amid trumpets and vocal. The articulate asks, "Tell me what'd I say' and trumpets answer. The aforementioned abstraction is afresh several times with adapted lyrics. Afterwards the part, there is alarm and acknowledgment amid the capital articulate and choir again. Melody in bizarre music creates a activity of continuity. The aperture melody will be afresh throughout a bizarre piece. Although the melody is generally afresh in an adapted anatomy application aberration technique, its abstraction charcoal in a piece. Also, bizarre melodies generally complete busy and accessory in bizarre pieces. Bizarre music additionally tends to accept one basal mood. If a allotment begins with Joyful mood, it will abide throughout the piece. The bizarre composers generally created affection by application a anecdotic agreeable language. They advantaged chat painting, which music enhances the acceptation and affect of the text. For example, they acclimated aphotic and apathetic music in lyrics about death. This fabricated music added alive and powerful. The accent in bizarre music is generally constant. The adroit patterns in the aperture of bizarre pieces are afresh throughout. This contributes to creating a accord of mood. For example, as we can see from Arrangement V by Bach, there are 1/16th addendum consistently throughout. Arrangement in bizarre music is mostly polyphonic: two or added choir or adapted curve arena apart to accurate complexity. Bizarre composers approved to aggrandize the size, range, and complication of active performance. Apery is actual accepted in bizarre music. All you accept do is blow the appropriate key at the appropriate time and the apparatus will comedy itself" This is a acclaimed adduce by Bach. Bizarre musicians try to comedy what is accounting on the music score. There is mainly three accepted bizarre forms; three-part from (A B A), two-part anatomy (A B A), and connected or absorbed form. A lot of arrangement movements including arrangement V by Bach are in Acknowledgment form. The word, "Reiteration", meaner "return" in Italian. Afterwards Tutu section, abandoned area begins and Tutu area appear aback afresh afterwards the abandoned section. The Aforementioned adroit patterns are afresh in Jazz, yet generally syncopated; abrupt accents. The accent patterns heard in the allurement of Jazz pieces will be afresh throughout. Beat accent is additionally capital appropriate of Jazz. Jazz originally developed from ragtime music, whose capital appropriate is "ragged" or syncopated rhythm. Architecture is an important aspect of Jazz music. Jazz musicians ad-lib in melody, accent and bass lines. A Jazz artist plays what he wants to play. Therefore, they accept a abundant accord of abandon back assuming and the admirers additionally can feel it. Melody in Jazz is generally improvised and added circuitous than alternative music. There are accepted uses of dejected notes. Here is an archetype of a dejection scale: This is one of the aspects that accomplish Jazz actual apparent from alternative music. Although style, aeon and agreeable ability are broadly different, there are some similarities amid Bizarre music and Jazz. The aboriginal affinity amid the two is chain of rhythm. In both pieces, the aforementioned adroit arrangement is afresh from the alpha to the end. Another accessible affinity is the accepted use of alarm and response. In both pieces, alarm and acknowledgment is acclimated abounding times. In arrangement v, for example, there is alarm and acknowledgment amid canal and violin from 1:15. There are alarm and acknowledgment amid articulate and alternative instruments, and amid the capital articulate and changeable choir in What'd I say. For example, we can see alarm and acknowledgment amid the capital articulate and alternative instruments from 0:46 and amid the capital articulate and changeable choir from 2:20. Both bizarre music and Jazz use improvisation, although the appearance is different. In Bizarre music, the composers address numbers aloft the bass allotment (figured bass) so that the keyboard amateur can ad-lib chords. This gives the performers a activity of abandon while playing. In Jazz, architecture is added important than in bizarre music and is added abound. Not alone the bass line, but additionally melody and accent can be improvised. Abounding bizarre and Jazz composers echo the aforementioned adapted or adroit abstraction in one piece. In Bach's arrangement v, for example, there are 1/16th addendum consistently throughout and the aforementioned adapted account are repeated. This is aforementioned for Jazz music. For example, in a Jazz allotment "What'd I say', there are accepted uses of beat accent and the aforementioned melodies are afresh throughout. Unity of affection describes both bizarre music and Jazz. If a allotment of music opens with aphotic and apathetic melody its black charcoal throughout the piece. The accord of affection is created by connected accent and melody. The chords of a lot of bizarre and Jazz songs are mostly based on I, IV and V. For example, the chords anatomy of the aboriginal 8 confined in Bach's arrangement v is I - I - I V- I - l. The twelve addendum progression, which abounding Jazz musicians use, is I - I-I-IV- IV I -l -V -V- I and is actual agnate to the one acclimated in concerto. Aberration in time and ability additionally makes aberration in music. We can acquisition several differences amid bizarre music and Jazz. First, we can see that their styles are actual distinguishable. Jazz musicians accept added activity of abandon while assuming as they can ad-lib in abounding means while bizarre musicians can alone ad-lib in bass curve and they mostly comedy what is accounting on the account sheet. There is additionally aberration in agreeable anatomy and structure. The bizarre composers tend o chase the assertive forms such as acknowledgment anatomy while Jazz composers favor minimum forms that acquiesce best flexibility. In addition, the capital abstraction or purpose of Bizarre music and Jazz are different. Jazz's primary purpose was to absorb the bodies in bars, while bizarre composers primarily formed to accommodate music for ball and abbey services. Aboriginal bizarre composers alone the circuitous accord of the backward Renaissance and advantaged homophobic arrangement that maximizes harmony. But Jazz composers advantaged the complication of melody. Melody in Jazz is generally complicated and usually official to sing or comedy while melody in aboriginal bizarre music is beneath complicated and accessible to remember. In addition, the uses of instruments in the two periods are different. Despite that bizarre music is mostly based on cord groups, Jazz music is based aloft assumption and woodwind instruments. Although style, time, and history are different, there are some similarities amid bizarre music and Jazz. There are similarities in rhythm, melody, and texture. Music from the two adapted periods complete different, however, back we attending at the two carefully we see that they allotment agreeable abstruse similarities.

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